Last Saturday I conquered Trostan, the 551 m summit of County Antrim, and hauled myself back home over a 700 km relentless but rewarding round-trip in my 32-County High Point Challenge! From that windswept trig-point, views stretched beyond the haze north to Rathlin Island, west to the Inishowen Peninsula in far off Donegal, east to the Mull of Kintyre and Scotland then just south to Slemish, the first known home of Saint Patrick, where he was enslaved; I climbed it on his feast day two years ago. Beneath my feet lay a mountain carved by basalt lava, long watched over by clans and cairns— this land was fought over by many chieftains and clans, both native Irish and of Scottish descent. Not far from Trostan Sorley Boy MacDonnell had a great victory at the Battle of Aura, following which they withdrew to Trostan, marking the spot with a cairn. Looking out to Rathlin brought fond memories of a trip many years ago with Tommy Wogan with one particular image being of the pair of us sitting on the top of the huge cliff edge watching RAF fighter jets flying low above the North Atlantic Ocean on a training mission. Never saw anything like it before or since! I hope to ride the ferry to Rathlin again sometime soon! Today though was about notching up my 24th County High Point, Trostan’s summit, yearning for the remaining eight high points still calling me onward to complete a few more before the onset of winter.
Looking down from Trostan into the Glens of Antrim, I wasn’t just seeing valleys and sea-cliffs — I was gazing into the cradle of Ulster hurling, where villages like Cushendall keep alive the flame of Ireland’s oldest game. Names like Sambo McNaughton and Neil McManus ring out here as proudly as any chieftain of old. In a county where nationalists often carried the heavy burden of politics and prejudice, the hurley and sliotar became more than sport — they were symbols of resilience, pride, and culture woven deep into the very fabric of the Glens. In villages like Cushendall, Cushendun, Glenariff and Loughgiel, the game is woven into identity and daily life, with the Ruairí Óg club in Cushendall standing as a powerhouse of Ulster hurling.
Hurling here isn’t just sport — it’s a cultural anchor. In an area where Irish music, song, and storytelling have long flourished, the clash of ash sticks on the pitch echoes a community’s resilience, pride, and belonging. Local festivals and the use of the Irish language keep that cultural thread alive in a way that still feels raw and rooted.
For nationalists in Antrim, especially during the difficult years of the Troubles, hurling and the GAA provided more than sport. They were safe havens of identity, places where Irish culture — language, music, games — could flourish against a backdrop of political tension and discrimination. To take the field in the maroon of the Ruairí Óg Club, the green and gold of Dunloy Cúchullains, the red and white of Loughiel Shamrocks or the black and amber of McQuillans Ballycastle was to play for more than points on a scoreboard: it was to declare pride in community and continuity of tradition. Terence ‘Sambo’ McNaughton, Neil McManus, Ally Elliott, the Donnelly’s, Liam Watson and Cloot McFetridge were as good a hurlers as any across the hurling strongholds.
Mention of Loughiel Shamrocks and I have to mention my good friends Bernie and Dermot Connolly of Corkey Road, who I met many years ago and with whom we stayed for a weekend when the lads were very young. True Gaels.
I knew from reading Kieron Gibbons guide book to Ireland’s County High Points that the approach to Trostan tended to be very soft and wet as it crosses a stretch of open bogland. It was no accident I took it on last weekend. The dry spell had made it spongy and nice to walk across. The climb follows markers for the Moyle Way / Ulster Way and involves climbing over a couple of stiles. On a day like last Saturday it was one of the easy High Points so far. The starting point is easily missed as it is on a remote minor road between Newtown-Crommelin and Cushendall / Cushendun and there was no information panel present on the day identifying it as a trailhead; a brick pedestal probably held a sign at some stage. There is only parking for 1 or 2 cars. It can also be claimed from the Glenariff Forest car park on the eastern side.
After finishing the climb I detoured into Cushendall and paid a quick visit into Sambos pub, the walls adorned with photos of hurling legends and signed jerseys. A GAA watering hole off ever there was one. The homeward journey brought me through Glenravel Glen, made famous by Bobby Sands who wrote a ballad about the blind fiddle player and poitín maker, ‘McIllhatton’ and sung by Christy Moore.
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